Spectacle à Connaught Place à New-Delhi, réalisé sans trucage ni filet…

Merci à Minkesh pour les photos du spectacle à Connaught Place/New-Delhi

Spectacle de marionnette du Rajasthan (Inde): De la musique, du chant et un sifflet dans la bouche du marionnettiste afin de donner du rythme au spectacle, Il y a même des marionnettes à “double visages”, démonstration en 4 images

Un…

…Deux…

…Quatre.

…Quatre.

Une entrée de métro parisien typique (Station Abbesses) ainsi que les quais de la station.

A typical metro entrance in Paris (Abbesses Station) and the metro station platforms.

Raj Ghat (New-Delhi, Inde): Sur les rives de la Yamuna, non loin de Old Delhi et de Jama Masjid, il y a le Raj ghat et sa plateforme en marbre qui symbolise le l’endroit de crémation de Gandhi (Mahatma).

Entrée libre et gratuit. Vous devrez enlever vos chaussures avant d’accèder au domaine de la plateforme.
De Connaught Place, le coût en Auto rickshaw ne doit pas coûter plus de 20-25 INR avec le compteur.

Après votre visite du Raj Ghat, inutile de prendre un Auto pour rejoindre Old Delhi, c’est à quelques minutes à pied. Il suffit de traverser la rue, et la longer en allant vers le nord. Sur le chemin, un jardin en forme de long rectangle est pleins de jeunes enfants jouant au Cricket. N’hesitez pas à lier contact. Ensuite, diriger vous vers Jama Masjid. La plus grande mosquée de l’Inde.

Marcher dans Old Delhi est très particulier, je vous laisse le découvrir quand vous viendrez.

Raj Ghat (New-Delhi, India): On the Yamuna bank, not far from Old Delhi and Jama Masjid, there is the Raj Ghat and its platform in marble, which symbolize the cremation place of Mahatma Gandhi.

The entrance is free. You will have to take off your shoes before accessing to the platform area.
From Connaught Place, the cost with an Auto rickshaw must dont cost more than 20-25 INR with the meter.

After your visit of the Raj Ghat, It’s useless to take a Rickshaw, just cross the road and walk in the north direction, you will find a garden full of youngs playing Cricket. Don’t hesitate to talk with them. From there, go to Jama Masjid, the biggest mosque of India.
Walking in Old Delhi is very special. I let you discover it when you come.

He’s the emotional father whose happiest day is when his son steps into his shoes…
He’s the unconventional father who treats his son as a buddy, more than a beta…
He’s the daredevil father who will challenge his son to a car race through basy streets…
He’s the sensitive father who understands that without love there is no life…
He’s the gutsy father who will risk all his relationships to preserve one…
He’s the angry father who will overthrow traditions, berate conventions and question superstitions…
He’s is Baabul.

Cast:
Amitabh BACHCHAN: He is Balraj KAPOOR. He towers over everybody - in his thoughts, in his wisdom, in his sheer presence! A loving husband, an adoring father and an extraordinary father-in-law, he always puts right before wrong, never mind if he has to stand tradition on its head.

Hema MALINI: She is Shobhna KAPOOR. she loves and is loved by both the men in her life - husband and son. she may laughingly admit that both of them are “a total loss”; but her world revolves around them.

Salman KHAN: He is Avinash KAPOOR. He may lie to win his love, but would die if so much as a tear escapes her ye. He’s charming, loving and good looking. No wonder, knowing him is to love him.

Rani MUKERJI: She is Malvika TALWAR. she loves to paint. Loves to fight. Loves to love. Knows the difference between friendship and love and is convinced that love and marriage happen once in a lifetime.

John ABRAHAM: He is Rajat VERMA. His love is silent, he expresses all this pent up emotions through his songs. He loses the girl he loves, but is more concerned about her happiness than his own heartbreak.

Also strarring:
Om PURI, Rajpal YADAV, Sarika, Parmeet SETHI, Aman VERMA, Dhairya, Beena BANERJEE, Sharath SAXENA, Smita JAYEKAR, Vaishnavi, Gargi PATEL, Avtar GILL, Vijay PATKAR and Yug.

DIRECTOR: DR. B.R CHOPRA (The father)
PRODUCER: Ravi CHOPRA (The son)

The rised point by Wahid.fr:
India is changing, and to change indian mentality, bollywood movies could help and incite to change.
No, the widow don’t give bad luck if she/he is present to a wedding.
No, a widow has the right to get married again if her husband die.
Traditions are not above the human.
This movie is evoking several controversies about the Indian cultureS and traditionS.
Baabul is not a movie like the others, it doesn’t contribute to fix the traditions.
Baabul is concerned about the future of widows, specially the women. Cause, the widow men have less discrimination in the eyes of the society. Eyes, that a lot of time are a heavy weight on the life of each Indian.
People don’t, can’t live for them, but according the opinion of the others…

But, the things are changing with the new generation.